Getting an entry permit from the Israeli army, securing permission to screen the film from Hamas, and how to prepare for inevitable power cuts are only some of the hurdles. Imagine what it takes to coordinate humanitarian aid. By Jen Marlowe We had been talking about organizing the Gaza premiere of Naila and the Uprising for months, but it wasn’t until mid-summer that my colleague in Gaza, Fadi Abu Shammalah, and I began the preparations in earnest. [tmwinpost] Fadi and I discussed the merits of the two potential venues that could accommodate a film screening of the scale we were anticipating. The first…Read More... | 6 Comments
In a letter from prison, Israeli conscientious objector Hillel Garmi responds to Ahmed Abu Artema, one of the leaders of Gaza's Great Return March. 'Although we will not agree on everything, I discovered a vision for justice in your writing.' Read Abu Artema's open letter here. By Hillel Garmi Ahmed, I am writing to you from an Israeli military prison, after the open letter you published last week was read to me over the phone. It is not easy for me to write from prison, and at first I thought to wait until I am able to do so from the comfort…Read More... | 3 Comments
Formerly incarcerated women of color perform the story of a Palestinian teen killed by Israeli police in October 2000. The act of Black-Palestine solidarity highlights shared trauma, but also concrete ways toward liberation. By Jen Marlowe and Je Naé Taylor On October 2, 2000, Aseel Asleh, a 17-year old Palestinian citizen of Israel, was shot and killed by Israeli police at a demonstration outside his village in northern Israel. On September 3, a staged reading of “There is a Field,” a documentary play of Aseel’s life and killing, was performed as part of the Kennedy Center’s Page to Stage Festival,…Read More...
In the Jerusalem neighborhood of Pisgat Ze'ev, we didn't think of ourselves as settlers, despite the fact that we lived beyond the Green Line and our neighbors were Palestinian. By Ofer Matan The first Arab who stepped into our home was Sabah. The first time we met, Sabah washed his hands in our kitchen sink on a cold morning after the Jewish holidays, just before he helped my mother start her yellow Renault 12. The car already had problems with the gears by the early 80s, and Sabah would push it from behind toward the decline while she put it…Read More... | 4 Comments
A podcast highlighting stories of Christian Palestinian women aims to inform new audiences on how occupation impacts their personal lives. A mother in the West Bank struggling to explain to her child, on reaching a checkpoint, that no, they have not yet arrived at the zoo. A grandmother in Beit Sahour who wishes to join her family in the diaspora, but lives alone in Palestine, to provide care for her elderly father. A young woman from Bethlehem who dreams of becoming a director in Egypt but is held back by societal expectations and patriarchal norms. [tmwinpost] These are a few…Read More...
The further Israel moves from a solution to the conflict, the more it finds itself in need of the symbols of the religious right. As long as liberal Israelis do not fully renounce the sanctification of blood and land, they will be unable to present a real alternative. By Yudith Oppenheimer I have not adhered to halakha in my daily life for years now, but in spite of this I do fast on Tisha B’Av. I am often asked if I am mourning the destruction of the Temple and the answer is both yes and no. Yes, I identify with the…Read More...
Famed Israeli playwright Joshua Sobol couldn't get Israeli theaters to produce his latest play, 'The Last Act.' So he took it to Boston, where American Jewish audiences are finding it no less difficult to digest. Sobol and Israeli-American director Guy Ben-Aharon discuss the backlash, the clampdown on criticism of Israel, and whether an American audience is more willing to engage with portrayals of the occupation. By Marcelo Svirsky Joshua Sobol is the most famous living Israeli playwrights. Known for controversial work that challenges the dominant narrative in the country, Sobol has written over 75 plays, which have been translated and performed in over 25…Read More... | 21 Comments
At Samim Bishara's Kamun Pub in the northern town of Ma'alot-Tarshiha, Arabs and Jews can sit alongside each other to drink beer and eat pizza. But even in what might appear to be an oasis of coexistence, fundamental inequality is inescapable. By Steven Davidson Tarshiha is technically one of the few mixed, Jewish-Arab villages in all of Israel. In 1963, the government merged the Arab village of Tarshiha with the Jewish town of Ma’alot to form the municipality of Ma’alot-Tarshiha. Samim Bishara, 42, grew up in Tarshiha but didn’t learn Hebrew until his early 30s. “When I was 16, police saw I…Read More... | 2 Comments
Despite the bloodletting in Gaza over the past months, the leaders of the Great Return March believe that nonviolent resistance is still the best way to end the siege. Rami Younis spoke to Hasan al-Kurd, one of the leaders of the march about the successes, mistakes, and future of the movement. While everyone this past week focused on Israeli police officers breaking the leg of Jafar Farah, a prominent Palestinian political activist from Haifa, I could not help but think of someone else’s leg — that of Hasan al-Kurd’s brother-in-law, in Gaza. [tmwinpost] Two months ago, during the first Friday protest of the Great…Read More... | 2 Comments
Netta Barzilai is an impressive performer with an impressive act that Israelis can be proud to be represented by. But that's not all she represents. Israel is buzzing with excitement over the country's contestant in this year's Eurovision, and for good reason. Netta Barzilai is talented, has an awesome vibe, and is a strong female character who bucks all of the traits we have become used to seeing in a female performer. If you are a left-wing, Jewish feminist, and even if you're not, it's hard not to fall in love with her. So it wasn't surprising that a campaign…Read More... | 9 Comments
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