Regarding the controversy over Mairav Zonszein’s ‘New York Times’ op-ed: An ongoing climate of fear and suspicion is not conducive to ‘vibrant democracy.’ It is unfriendly to left-wing protest over security matters.
Since my colleague Mairav Zonszein published her ballbuster op-ed “How Israel Silences Dissent” in the New York Times several days ago, there’s been – what a surprise – a backlash. There was one substantive counterpoint to the article, though, by self-described leftist Noah Efron in Haaretz, who wrote that the instances mentioned by Zonszein of threats, sanctions and violence against opponents of the Gaza war also disturbed him deeply, then he added:
Good point. So what’s the story – does Israel silence dissent or not?
It does. Not all dissent, of course, and Zonszein never argued such a thing, but what Israel does is prevent dissent from reaching the mainstream. The government in Jerusalem doesn’t do it directly – it doesn’t have to. The deed is done mainly by mainstream economic entities and the mainstream media acting on behalf of their customers, the Israeli Jewish public, which supports every last thing the government does in the name of security, such as Operation Protective Edge.
Read Zonszein’s response: Silencing dissent in Israel – continued
To illustrate: On August 22, a week before the war ended, “7 Nights,” the weekend entertainment magazine in Israel’s leading newspaper, Yedioth Ahronoth, ran a cover story titled “Prisoners of War” about the same subject Zonszein wrote about, but as a long feature article based on interviews, and with a lot more examples of silencing. An anonymous “senior figure in the [Israeli] entertainment world” said:
“Whoever understands marketing in the Israeli music business knows that today the big money comes from [contracts to perform for] municipalities, state-owned companies, cultural bodies funded by the government and by Mifal Hapayis [the national lottery] whose director is identified with the government. Any expression that is extreme or that contradicts the government’s official position is liable to lead to the cancellation of dozens of performances a year – at cultural events, municipal festivals, Independence Day celebrations, summer concerts and so on. …
Whoever understands is afraid, and whoever doesn’t understand – his managers are afraid. The people around the performer don’t leave him on his own – they brief him: which messages to put across when you’re a guest on [talk shows...